Aktuell liegt mein Fokus auf kulturpolitischem Engagement bei fair share! for women artists, wo ich mich für die Gleichstellung von Künstlerinnen* und strukturelle Veränderungen im Kunstbetrieb einsetze.
collective:unlearning → temporär-kollaboratives Format mit Künstlerin Miriam Neubauer: im Spannungsfeld von individuellen & kollektiven Bedürfnissen / Intentionen von unlearning und tools for imagination (2023)
DETENTIONAL ATTITUDES OF THE HANDS, 2018
INKJET PRINTS, EACH 270 x 420 MM AND SINGLE CHANNEL VIDEO 6:43 MIN
WHAT HAVE YOU LEARNED WHAT YOU HAVEN’T BEEN TAUGHT, 2018
DYE-SUBLIMATION PRINT, 160 x 220 CM
EXHIBITION VIEW, MFA SHOW, 2018, GOLDSMITHS UNIVERSITY
HIDDEN PROTEST, 2018, FOUND OBJECTS, VARIOUS SCHOOL TABLES
EXHIBITION VIEW: REEL TIME, VIDEO (LOOP) 1:43MIN, 2016
REEL TIME (VIDEO STILLS)
PROBLEMSOLVER, COLLABORATIVE WORKSHOP AND PERFORMANCE, 2017
TOGETHER; APART, COLLABORATIVE PROJECT INVOLVING TWO PLACES, 2021
CALL IT DEFAULT RATHER THAN ANYTHING / DEFAULT SYNDROME, 2013
An intermittent reading provoking notions of running on default. Depicting a passively standardised life through organised aesthetics it causes (optical) upset, where without a break, one cannot think.
CUTTING CORNERS (NO HIDING FROM ECONOMY), SITE-SPECIFIC INSTALLATION, DEPARTURE FOUNDATION, 2013
GOAL DISPLACEMENT, 2013
ROUTINE GAME, 2013
ROUTINE GAME, EDITION
POPPOSITIONS ART FAIR, BRUSSELS 2013
FACT FINDING (ONGOING), 2012, INSTALLATION PHOTOGRAPH
ECONOMY OF REALITY-MAINTENANCE, 2014, SITE-SPECIFIC INSTALLATION, MARSHALL LIBRARY OF ECONOMICS, CAMBRIGDE
INTERVALL TRAINING, 2014, FLASH CARDS
PART OF EXHIBITION: TEST TAKING: EVERY, NEVER, NONE
DEBRIEFING / DECLARATIVES, IMPERATIVES AND ORDINARY COMMENTS, 2014
PERFORMATIVE READING, WESTMINSTER ART LIBRARY, LONDON
SELF-TIMER, 2012, INSTALLATION PHOTOGRAPH
BACK AND FORTH, INTERACTIVE SCULPTURE, 2013
CHAIRS, 2008, INSTALLATION, INKJET PRINT ON MDF, EACH 60 X 90 CM
ONE OFF, 2007
RE-SCALED CHAIR, SITE-SPECIFIC INSTALLATION, LONDON
